This tells the procession it is 45 seconds from moving off. The Crown Equerry will indicate that the King is ready by signalling to the Chief Marshal, a Foot Guards officer wearing a distinctive bearskin cap, who will in turn signal for ceremonial batons and ceremonial flags to be raised. The Coronation Procession will begin at 1pm, when a special sequence of signals will be deployed to instruct troops to move. “It will be an iconic image of the day,” said an MoD spokesman. This will involve 4,000 troops – formed of 8 groups supported by 19 military bands – and be one mile long from front to rear, with the front almost halfway along The Mall and the rear at the Abbey. While the Coronation service takes place inside the abbey the troops outside will form into the Coronation Procession for the return journey to Buckingham Palace. Preceding the King’s Procession, by 10 minutes, is the Major General’s Retinue which provides a ceremonial confirmation that the route is safe and secure, known as Proving the Route.Īt 10.20am, the King’s Procession departs Buckingham Palace, arriving at the abbey 33 minutes later, at 10.53am. The Procession will be led by 48 horses and musicians of the Household Cavalry Mounted Band, with their two distinctive drum horses Atlas and Apollo. Their Majesties will be escorted to Westminster Abbey by the Sovereign’s Escort, which has been performing this function since 1660 and is made up of four Divisions from the Household Cavalry Mounted Regiment.Įach Division consists of 24 horses, with two Divisions of the Blues and Royals at the front and two Divisions of the Life Guards bringing up the rear, with the Farriers, equipped with their distinctive axes, in the rear rank. They will give a Royal Salute when the front wheel of the Diamond Jubilee State Coach passes the Centre Arch of Buckingham Palace. Uniformed civilian services, including police and fire service personnel, will line Whitehall and Parliament Square, with the Royal Air Force around the Cenotaph and Westminster Abbey.Ī Tri-Service Guard of Honour of nine officers and 159 other ranks from the Navy, Army and RAF will be positioned at the west side of the Queen Victoria Memorial with a band of the Royal Marines. The troops will stand at "five-pace extend" - a soldier every five paces - something which has not been achieved since the 1980s.Īt The Mall, there will be 25 half companies from the Foot Guards in their distinctive red tunic and bearskin.Įight half companies of The Royal Navy and Royal Marines will line up at Admiralty Arch, the spiritual home of the Navy, in the shadow of the statue of Admiral Lord Nelson in Trafalgar Square. Phase 2: Lining the routeįrom 9.10am, a total of 55 half companies of 20 service men and women will line the Ceremonial Route. The troops taking part in the day’s events will be brought into London from four training bases known as Concentration Areas. Two of the most complicated moments will be when the processions pass through Admiralty Arch and turn sharp right into Whitehall, and later arrive back at Buckingham Palace.Īt these pinch points, the troops have to go from 12 to 15 ranks wide to just six in order for them to get through Admiralty Arch and the palace's north centre gate, deploying what the commanders describe as “a bit of ceremonial drill magic”. ![]() The day will be divided into eight principal phases, from bringing troops to London and lining the route through to the ceremonial processions and the final dispersal of personnel. “It will be spectacular and with the precision and detail you would expect.” Underpinning the procession accompanying Their Majesties to Westminster Abbey and back to Buckingham Palace will be the ability of serried ranks of service personnel to negotiate the sharp angles, street furniture and tight spaces of the ceremonial route through central London.įor weeks, those taking part have been rehearsing their manoeuvres using traffic cones to mark out structures such as Admiralty Arch along the 1.3-mile route being taken by the King and Queen.Ī Ministry of Defence (MoD) spokesman said: “We have been planning the operation for six months, and with the military deployed for approximately six hours a day, it works out as one month of planning for every hour on parade. Hours of repeated practice will culminate on Saturday in one of the most impressive military spectacles in generations as 7,000 ceremonial troops take part in the Coronation of King Charles and Queen Camilla. ![]() It will all depend on precision, discipline and not a little of what the military call “ceremonial drill magic”.
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![]() ![]() It mimics the look and some of the functionality of the Launchpad S hardware controller, the Launchpad App is a different beast. LAUNCHPAD APP – SOLO Launchpad app’s Trigger view with Filter faders showing. Own an iPad and don’t have have these Launch apps? You might as well download them right now for free, then read on and decide if pairing them with their economical hardware controllers makes sense for you. The controllers are USB-powered from a computer or an iPad, and in fact they must be hardwired to the iPad to work no connecting over WiFi. Both the Novation Launchkey keyboard controller and Launchpad S button controller interact directly with the apps when connected to an iPad via Apple’s Camera Connection Kit. However, the next layer of the onion involves you hooking up the apps to their hardware counterparts of the same name. They also work in tandem, so you can play the Launchkey app’s sounds over the Launchpad app’s loops and even sync the Launchkey arpeggiator to the Launchpad’s master tempo. THE LAUNCH OF NOVATION IPAD APPSīoth the Launchpad app and Launchkey app – for the iPad only – are free to download and work perfectly well on their own as a sample looping/layering and synthesizer app respectively. Because the apps are free and the controllers stand on their own, this new synergy is bonus to users to decide how much or little to do with them. The Bottom Line: Novation has created a miniature iPad music studio that benefits from connecting a hardware controller to create options for the user to decide when the touchscreen or hardware works best. Powering a controller off the iPad and using these two intensive apps simultaneously drains the battery fast. No WiFi connection between the iPad and the controllers. ![]() Switching between apps with four-finger swipes often results in unwanted changes. Very short learning curve, just practice makes perfect. ![]() The two apps sync to each other and run simultaneously. Great sounds from both the Launchpad sample pack and the Launchkey synthesizer. The Good: Free apps integrate seamlessly with the hardware controllers. Requirements: iPad running iOS 5.0.1 or later. Price: Free, with additional Launchpad sound packs for $2.99 each Reviewed: Novation Launchpad App and Launchkey App ( on iTunes) There’s much to dig into, click to read on. Novation’s entries into the iPad software/hardware market, the Launchpad and Launchkey apps, explores a modular kind of system where the apps can work separately, together, or seamlessly with connected controllers. Click the relevant product to access these.At NAMM this year, we saw no new DJ hardware from Novation – no Twitch 2.0, no Nocturn refresh – instead they’ve focused on the production side of things. Both the UltraNova and MiniNova use their own Librarian and Editor software which is available on their downloads page.You may still be able to use this on older systems and can find it here. The SL MkII used Automap software which has been discontinued, you can read more about this here.You can find the relevant any additional documentation and software for your Launchpad on the following downloads pages. Older Launchpads don't feature custom modes, you can use tools like r_cycles for some customised layouts.Older Launchkey models - these don't offer customisation, you can find relevant documentation and downloads on their respective downloads pages.Impulse range - Impulse was originally used with the Automap software, but has since been updated to use the HUI protocol.If you've not seen a product listed in this article it does not have integration with Components. If your Novation product is listed below it doesn't need to use Novation Components, please see additional information below as well as the My Software page in your account for any software for your product. ![]() If you are using solr for search and i recommend to check out this post, talking about SOLR Checklist with Sitecore, specially if you installed solr from bitnami.You can generate that from IIS, go to you webstie -> machine key (double click), i usually use AES as encryption method and i un-check automatically generate at run-time, then i click generate keys, make sure that you don’t have IsolateApps in the key if you have just remove it, after that just apply the same key on all CDs :Ħ) 301 Redirect: permanent redirect for old to new URLs, usually i am using IIS URL rewrite module to do that and adding my rules:ħ) caching: make sure to cache your components as much as you can, specially the heavy components like Main Navigation, output cache is out of the box in Sitecore you just need to define which components you need to cache:Ĭheck out this link to know the differences between vary by :Īnd don’t forget to add your sites to the HtmlCacheClearer in nfig, so sitecore can clear the cache on publish end event Here is the recommendation from Sitecore for having one machinekey if you have two content delivery server or more (section 4.5):Ĭlick to access scaling_guide_sc70_a4.pdf so if i am using the same machine key on both servers in this case my view state will be still valid. So lets assume that we have two CDs servers, and we enabled the sticky session on the Load balance, the request comes to the load balance, and Load balance will redirect my request to one on content delivery servers (sticky session conflagrations can be done based on user session or IP), lets assume all requests now are routed to CD1 server, for some reson failure happen on CD1 so the request will go to the CD2 server, and CD2 has different machine key, that means the view state is invalid. Usually I go with IIS approach, if you implemented that and when you try to open Sitecore from the live website, it will show you 401 unauthorized access, and I usually redirect 401 to 404 page, to do that just go to your Site from IIS -> error pages -> error pages -> 401 , double click and change the response action to be “ Execute a URL on this site“, and i put 404 as relative URL, so any access to Sitecore from the live Site, it will take the user to 404 page instead of 401.Ĥ) SQL Connection: it is always better to use Windows authentication instead of SQL authentication whenever possible to avoid storing credentials in connection strings and avoid passing passwords over the network to your database server, if you want to go with SQL authentication at least encrypt connection string instead of having the credentials in plain text, to do that check out this link :ĥ) Do you have multiple content delivery servers ? if yes, it is important to define same machine key for your application to all content delivery servers even if you enabled Sticky Session, based on my understating the reason is :ĪSP.Net has algorithm to encrypt / decrypt the Viewstate and forms authentication data, Machine key will be used as part of that encryption. String filePath = string.Format("/assets/error//500.html, and the host will be ģ) Restrict access to Sitecore from Content Delivery Servers: there is two ways to do that, implement IP based restriction or disable anonymous access from IIS, checkout this link from Sitecore: ![]() = (int)HttpStatusCode.InternalServerError If (customErrorsSection.Mode != CustomErrorsMode.Off)Įxception ex = () Var customErrorsSection = (CustomErrorsSection)ConfigurationManager.GetSection("system.web/customErrors") net application, but if you have multi-sites, and you need different error page for each site you should do that on the Applicaiton_Error event in Global.asax, here is the code of this implementation : protected void Application_Error(object sender, EventArgs e) ![]() Net but mainly I will focus on Sitecore:ġ) Make sure the App pool for your Site is always running: to do that go to the IIS App pool for your site -> advance settings -> change the start mode to be Always Running:Ģ) Enable Custom Error Page (500): Error page should be static HTML page, if you have only one website, you can configure that directly in Web.config like any normal. When you deploy to the production, some points you should take in your consideration before you go live with your site, in this post i will list all of these points some of them related to. Drag the slider, and after 30 seconds, your device will turn off.Press and hold either the Volume Button or the Side Button.To restart the iPhone:ģ.1 How to Restart Your iPhone X, 11, 12, or 13 Restarting your iPhone from time to time is advised and can initiate the update instantly. If still, your iPhone won't update to iOS 15 or other versions, a simple restart can solve the issue. ![]() Your iOS 15 not installing issue will be solved hassle-free. Once the load is bearable, you can download your new iPhone update. So, the key is PATIENCE you can wait for the Apple servers to function properly. For example, this happened back when the iPhone 13 iOS update was launched. This simultaneous action causes overloading in Apple servers. When Apple launches new software updates, millions of people at once start downloading them. The potential reason you can't update iOS can be overloading in Apple servers. Part 2: Make Sure the Apple Servers are Working Properly Lastly, if your iPhone won't update to iOS 13, then check the compatible device list here, iPhone 11 ( 11 Pro, 11Pro Max), XS, XS Max, XR, X, 8, 8 Plus, 7, 7 Plus, 6s, 6s Plus, iPhone SE, iPod touch (7th generation). ![]() In that case, the compatible devices are iPhone 11 (11 Pro, 11Pro Max), iPhone (XS, XS Max), iPhone X, iPhone XR, iPhone 8( 8Plus), iPhone 7, 7Plus, iPhone 6S, 6S Plus, iPhone SE (2016), (2020). Suppose your iPhone won't update to iOS 14. So, check this compatibility list for iOS 15/iOS 16: ![]() Apple launches new iOS updates and drops support for older phones. The answer to your question, why won't my iPhone update to iOS 15/iOS 16 can be a compatibility issue. Part 1: Make Sure Your iPhone is Compatible with the New Update ![]() Thus changes to the location and the infra- completely transparently via the satellite route with a structure can be performed quickly and at low cost. Here the mGuard smart ² PEP communicates company. Secure satellite communication To enable secure and – despite long latencies – high- performance satellite communication, various OEMs With its sturdy housing and the uncomplicated power provide a modied version of the mGuard smart ² with an supply via any USB port, the mGuard smart ² is perfectly integrated 3rd-party Performance Enhancing Proxy suited to the portable protection of resources critical to a (PEP). VPN Gateway and, optionally, industry-compatible protection against malware. Based on a hardened embedded mGuard smart ² supports the secure access to PCs in Linux from Innominate, this combination integrates four doctor´s practices from home and on the road using a complementary security components: a bidirectional USB stick with pre-congured software and any PC with Stateful Firewall, a exible NAT Router, a high-security Internet access. Additionally, the reliable mGuard rmware. Medical applications The mGuard smart ² is a suitable VPN router for the secure connection to healthcare networks and online The mGuard smart ² security appliance combines the ex- services such as the KV SafeNet in Germany, and also for tremely powerful new mGuard hardware platform with the other medical application scenarios. ![]() Ideal in particular in medium-sized machine and plant engineering operations, as an economical teleservice infrastructure for connecting machines, controls or mobile technicians. Secure remote maintenance For software-independent remote maintenance scenarios, the mGuard smart ² can be used as a portable VPN client and as a temporary VPN connection for secure machine remote maintenance via IPsec-encrypted VPN tunnels. ![]() rewall between ofce and production networks, as a secure remote maintenance client, or as a security router for small workgroups. Perfectly positioned as an intelligent company’s operations from attack. It has never been so easy to reliably protect com- ments close to production with low requirements for puters, machines or any other IP connections critical to a industrial hardening. Portable security at its best Mini The mGuard smart ² from Innominate impresses with The mGuard smart ² is supremely suitable for portable maximum security and performance in the smallest and stationary protection of workplaces and environ- space. Next time change is highlighted.ĭata for the years before 1970 is not available for Oklahoma City, however, we have earlier time zone history for Chicago available. 9:00 am CDT (Central Daylight Time) (Oklahoma City, OK, USA). Want to see the time in Oklahoma, United States compared with your home Choose a date and time then click Submit and well help you convert it from. Check the Oklahoma City Thunder schedule for game times and opponents for the season, as well as where to watch or radio broadcast the games on NBA.com. This is the official site for departures, arrivals, airport maps, ground transportation, news. ![]() * All times are local Oklahoma City time. Will Rogers World Airport is located in Oklahoma City, OK. Time Changes in Oklahoma City Over the Yearsĭaylight Saving Time (DST) changes do not necessarily occur on the same date every year. countless hours of their time to produce this years event: Susie. The graph above illustrates clock changes in Oklahoma City during 2023. Festival has been an OKC tradition since 1967, considered a rite of spring and an. ![]() Business Date to Date (exclude holidays). Instead of seeing a “char” as a single Unicode character, Java designers thought it best to keep the 16 bits encoding. ![]() In order not to break compatibility with older programs, Java chars remained encoded with 16 bits. So they added more bits and notified everyone: “starting now, we can encode a character with more than 16 bits”. However, when integrating large numbers of characters, especially ideograms, the Unicode team understood 16 bits were not enough. All Java char has always been and is still encoded with 16 bits. Thus, Java designers made the decision to encode Strings with characters encoded on 16 bits. This is about the time when Java came out in the mid-1990s. Then, Unicode brought this to a brand new level by encoding characters on… 16 bits. And code pages were defining how to show any character between 128 and 255, to allow for different scripts and languages to be printed. So the extended character table came, bringing a full new range of characters to ASCII, including the infamous character 255, which looks like a space, but is not a space. While this is fine for most English texts and can also suit most European languages if you strip the accents, it definitely has its limitations. The origin of type “char”Īt the beginning, everything was ASCII, and every character on a computer could be encoded with 7 bits. But I think after reading this article, you will never use the type “char” in Java ever again. So, the point is, once you convert your character offsets to Julia String indices, you are still working with characters.The post title may be blunt. Substrings work similarly: you give them code-unit indices, but they still give you the whole string of Unicode characters: julia> s # a copy In contrast, the code units (bytes for UTF-8) are retrieved by the codeunit function: julia> codeunit(s, 3) (Note that the return value of s is a character represented by Char, a 4-byte object corresponding to a Unicode codepoint.) String iteration is also over characters: julia> for c in s 'γ': Unicode U+03B3 (category Ll: Letter, lowercase) 'β': Unicode U+03B2 (category Ll: Letter, lowercase) 'α': Unicode U+03B1 (category Ll: Letter, lowercase) Julia string indices retrieve characters, not code units, it’s just that the indices are not consecutive: julia> s = "αβγ" The Julia design decision apparently was to use indexing to retrieve the elements of representation, not the actual elements a string has: characters. ![]() Now in order to access the string subsequences that correspond to those offset ranges, I need to first convert these offset ranges into the proper offset ranges for Julia strings, and I think the suggestion of creating a map using collect(eachindex(str)) is probably the solution to this. (This is a key reason why a variable-width encoding like UTF-8 can be so popular.)įor the problem I want to solve it is actually the other way round: I do have a Unicode string (in some encoding originally, but ultimately it will be a “normal” Julia string) and a large list of offset ranges, where the offsets are 0-based Unicode code point indices. ![]() It’s pretty rare to have an application in which someone says “give me the 527th character of this string” where the number 527 just falls down out of the sky. search/replace), you find ranges of characters by first iterating over the string, in which case you also get the indices (regardless of the indexing scheme). Where are you getting the ranges of Unicode characters from? In most kinds of string-processing operations (e.g. (on the other hand it does not exist in Java either where strings are represented using UTF-16 code units with surrogate characters). I guess I would be prepared to actually implement this though it looks like something so basic that it feels like it should exist That should be achievable by simply creating an index map from code point indices to code units that are the beginning of code points (and another one for the other way). ![]() So codepoint(juliastring, 3) or similar should give me the actual third codepoint, which could be the 5th code unit in Julia. My issue with the julia strings is not the representation - I do not care about it really, but the way how one indexes/retrieves the elemets of the string: the Julia design decision apparently was to use indexing to retrieve the elements of representation, not the actual elements a string has: characters.īut it should be possible to at least ADD a way to do this by providing a “view”. Interesting – do you happen to know if it is possible to not just convert between the UTF32 representation from this library and the default Julia strings back and forth, but more importantly also convert the offsets?Īctually, even more importantly: does this library actually literally convert the string representation? Because I would not actually want that – All I need is s “view” of a Julia string (no matter what the representation) which allows me to index Unicode codepoints. ![]() Its eight fifty-calibre guns are effective against soft targets which aren't worth rockets or bombs. In this role, its performance is often superior to even dedicated ground attack aircraft such as IL-2 Sturmoviks. With the equivalent of 3,000 lbs of ordnance under its wings with munitions such as 1,000 lb bombs and 10 HVAR rockets, it is an excellent fighter-bomber. The Thunderbolt was used as a high altitude bomber escort and excels at fighter roles in the game, but it can also be used as a very effective ground attack aircraft, thanks to its impressive bomb load. 10 x HVAR rockets + 1 x 500 lb AN-M64A1 bomb (500 lb total).The P-47D-25 can be outfitted with the following ordnance: Overall, the P-47 is a very pleasurable plane to fly for a quick jaunt in arcade battles. However, the skill will not be built nearly as well in this mode, as rolling scissors and "skidding" manoeuvres will not really be needed. Still, tactics used in RB also apply very well in Arcade- this fighter is great for practising Boom & Zoom in Arcade due to the impressive climb rate in this mode. Climb rate, turn rate, and responsiveness are all dramatically increased. In Arcade battles, the P-47 can be pushed to its limits. The "Jug" is thus one of the best fighters in the USAAF line possessing the hallmarks of a great fighter and the capability of a fast attacker. The wing of the British Spitfire melded with the iconic Pratt and Whitney R-2800 and bulky body, the P-47 is truly a force to be reckoned with, possessing very good performance, weaponry, and loadout. Like the P-51D Mustang, the P-47D-25 is one of the iconic fighters of the USAAF and also one of the most powerful. It has been in the game since the start of the Open Beta Test prior to Update 1.27. With a battle rating of 4.0 (AB), 4.3 (RB), and 3.7 (SB). The P-47D-25 Thunderbolt is a rank III American fighter ![]() Its music video, which starred actress Kim Basinger, earned an MTV Music Award the following year. ![]() 14 on the Billboard Hot 100 and topping the Rock Tracks chart. “ Mary Jane’s Last Dance” became a significant hit for the group, peaking at No. The second selection is an original song by the Heartbreakers, “ Mary Jane’s Last Dance.” Captured during sessions for Petty’s Wildflowers album and produced by Rick Rubin, the song marked the band’s final recording with founding drummer, Stan Lynch. The first is a cover of the 1969 hit, “Something in the Air,” by Thunderclap Newman, a group formed by The Who’s Pete Townshend, Jimmy McColloch (later of Wings), Speedy Keen, and Andy “Thunderclap” Newman. Greatest Hits closes with two songs that were recorded specifically for the collection. Years later, “Free Fallin'” ranked on Rolling Stones‘ 500 Greatest Songs of All Time list. 7 on the Billboard Hot 100, the Los Angeles-centric song marked Petty’s highest and longest-charting hit. While all three songs topped the Rock Tracks chart – and remain signature favorites – “Free Fallin'” was the album’s biggest hit and helped propel Full Moon Feverto No. Greatest Hits also includes three hits off Petty’s 1989 multi-platinum solo debut, Full Moon Fever : “Free Fallin’,” “I Won’t Back Down,” and “Runnin’ Down a Dream.” Each song was co-written by Petty’s Traveling Wilburys bandmate, Jeff Lynne, while “I Won’t Back Down” features a guest appearance by another member of the supergroup, George Harrison (who joins in on acoustic guitar and backing vocals). The synth-driven track marks a rare, stylistic departure for the band. 1 Rock hit is “You Got Lucky” (from 1982’s Long After Dark). Rock Tracks chart for six consecutive weeks. Also featured is “The Waiting” (off 1981’s Hard Promises), which topped the U.S. Co-written with Eurythmics’ Dave Stewart, the song was accompanied by one of the group’s more iconic videos, in which Petty and Stewart are dressed as characters from “Alice in Wonderland”. ![]() The album also spans the band’s beloved ’80s catalog, including hits like “Don’t Come Around Here No More” (from 1985’s Southern Accents). The broadly acclaimed “Refugee” (off 1979’s Damn the Torpedoes), meanwhile, has long been considered to be among the group’s best songs. ” Another late ’70s selection is the high-energy “Don’t Do Me Like That,” which marked the band’s only Top 10 hit on the Billboard Hot 100. I did my best with the Atmos mix to give the music the respect it deserves, by going back to the multitrack tapes and making sure that every sound and nuance in the original stereo mix was accounted for.”Īmong the album’s highlights are two favorites off Tom Petty and the Heartbreakers’ 1976 self-titled debut: “Breakdown,” which served as their first single and first Top 40 hit, and the classic rock radio staple, “American Girl. Several great producers and engineers contributed to these classic tracks. “The goal with this Atmos mix is simple: get people closer to the music they love, by putting them inside it! Greatest Hits has so many iconic recordings that fans have lived with and loved over the years. “It was a joy listening to the tapes and discovering all the sonic elements that went into each song, and then presenting them in a new, compelling, and immersive way,” says Ulyate. Stream Tom Petty and the Heartbreakers Greatest Hits In Dolby Atmos: Available to stream on Apple Music, Amazon Music Unlimited, and Tidal via Geffen/UMe as of today, Greatest Hits has been mixed for the new format from the multi-tracks by Petty’s longtime engineer, Ryan Ulyate, whose credits with Tom Petty and the Heartbreakers span nearly two decades’ worth of solo and full-band projects, including Mojo (2010), Hypnotic Eye (2014), Highway Companion (2006), The Live Anthology(2009), and 2020’s deluxe Wildflowers & All the Rest. The album features 18 of Petty’s best – including the Heartbreakers’ earliest singles, chart-topping solo tracks, plus the Top 20 hit “ Mary Jane’s Last Dance” and a cover of Thunderclap Newman’s “Something In The Air” – both of which were first made available on this album. Now, for the very first time, fans can experience this collection of classic songs like never before – in enveloping Dolby Atmos. While the Rock and Roll Hall of Famers would continue to reign for nearly 25 years after the LP’s 1993 release – touring and recording until Petty’s sudden death in 2017 – the enduring popularity of Greatest Hits remains a testament to the celebrated songwriter’s timeless appeal. 14, 2022 /PRNewswire / - For nearly three decades, Tom Petty and the Heartbreakers‘ multi-platinum Greatest Hits collection has remained the GRAMMY® Award-winning band’s biggest selling album, surpassing 12 million copies in the U.S. This isn’t going to be a complete replacement for manually editing your best images, but as a quick and automated way to blast through thousands of images which you may otherwise not bother with is a definite advantage. Photolemur 3 will intelligently tweak white balance, lens correction, and styles, just by dragging and dropping folders onto the interface. If you have a folder full of images which just need basic edits, then this could be an ideal timesaver. If this style of editing and the results you are happy with, then this could be a great way to speed up postprocessing and batch processing in your workflow.īatch processing images makes sense with such automated software. Different styles can then be applied to an image after the initial processing. ![]() The brush icon has further options showing the Eye enlargement and Face enhancements. There is a ‘before and after’ slider on the processed image for comparison purposes, from there you can either export the image with the ‘Export’ button or use the Brush icon to move the slider to adjust the degree of the processing or effect on the image. Once an image has loaded, processing is completely automated, with basic options once processed. A basic menu can be accessed if you click the ‘Photolemur 3’ logo which lists basic operations like loading more images, adding new styles, settings, and help. Once an image is loaded as a minimum size of 800 x 600px, one downside first experienced is that the image cannot be zoomed into or go fullscreen, but at least you have a slider for checking out the before and after of an image. With an automated mindset to everything, a simple interface has been employed which starts with a button for loading in new images with the file browser, or simply dragging and dropping photos into the software. Other features added in this version include exporting to SmugMug for Mac users, applying Boost, Styles, and Facial Retouch to batch process a bunch of images and various performance improvements to the whole AI system. The Photolemur 3 styles use the AI to apply Instagram like filters to the overall look of an image. Automatic face enhancements detect and clean up edits usually made to the face, such as wrinkles, teeth whitening, eye circles, and enlarge eyes. The new version has also included eye enlarger, facial retouch styles, new export, and batch processing. RAW files are now supported along with JPEG, TIFF and DNG files. This latest version uses 14 different AI technologies for image processing and cloud-based batch editing. |